Category: MasonBentley
The True Cost of Fashion x
Working at the rock face of fashion I have realised that very few people actually know how the modern clothing business truly works, particularly in terms of cost..and therefore profit.
Researching a visual to explain things quickly I came across the website of Everlane, who produced the following pictures..
The aim behind the pictures was to illustrate how consumers are ‘ripped off’ along the chain of events that leads to a designer purchase. But is it entirely accurate?
From make to wholesaler = 224% margin
From Wholesaler to retailer = 333% margin.
Which are big margins – but the diagram doesn’t explain them – the margins do represent a percentage of the profit but it’s only a percentage not the full whack. The margins are also required to cover other costs:
Further shipping, more transport, import duties, administration, design time, development, currency exchange, banking fees, marketing, loss leaders, pattern cutters, equipment, fittings, pattern changes, warehousing and storage, rent, utilities, IT costs, even labels, zips, threads and buttons..and probably much more.
At the second tier, for the retailer there could be a brick and mortar shop to pay for, employees and all the associated costs, advertisng, their own loss leaders etc etc…
The pictures do prove that nothing in fashion is simple.
It is possible to cut these costs. If you’re mass market and contract out to a third world country I’ve heard you can get a t-shirt made for 2p. In fact clothes have never been cheaper and are now fully accessible to all. Which has to be a good thing..But at what cost? 1,100 people died in the Bangladeshi factory disaster…is it ethical? Is it exploitation? Where does the line get drawn?
There are other alternatives abroad – better factories, better conditions where many of the ‘luxury’ fashion labels get their product made. And yes, with their financial clout and established infra-structure maybe they can make those sort of profits..but even then think how much money goes into marketing to support their brands? And think about the problems that can go wrong – the delays, the accidents, the unexpected that all has to be factored in. And all the time all that money being spent on manufacture is money draining out of the UK economy.
So where does this leave a British based start-up fashion label like us?
We can’t buy our materials in bulk so there is no reduction in cost for us there.
We can’t make our stock in bulk so there is no reduction here either.
Our ‘factory’ is an ‘atelier’ – a room of skilled – masterful – sewers based in London who make everything by hand. Not at a cost not per garment, but per hour. Look at a sewing machine, look at an expensive piece of silk and look at the finished product – the tiny stitches, the French seams. It’s not a fast job. Each hour is £25.00 plus VAT. But that is the cost of a craftsperson at the top of their profession..
We have no choice, we have to start at the designer end, the hard end – so why bother?
We still believe that there is an element of magic in fashion. We believe we can make a profit by cutting out the wholesaler and selling direct – only time will tell. And we believe that at some point consumers acknowledge they are buying more than the tangible item itself..we believe that value can take on a new meaning, that design can be desirable, treasured and trusted…our atelier is so good they do work for Victoria Beckham. We have drive, we have passion and we have a designer in Anna who has an acknowledged pedigree having worked with the greats such as Karl Lagerfeld and Valentino..she knows this industry and she was born to design.
The truth is that the Everlane illustration was too simplistic – the bottom-line is that in the retail world not all products are created equally. And some are definitely created with more love and care than others. Only sales will confirm whether that is worth the price.
Laters, Kate x
Set in Stone x
We have set – gulp – a date for out first-ever showing of our first-ever MasonBentley Collection which feels hugely daunting and very exciting at the same time..
It’s been eighteen months since Anna and I first came up with our Grand Plan..it was a dark, cold December night and knocking back the wine on the steps of my utility room we were both bemoaning the creative frustration we were feeling. Mix into that a computer, a shared love of vintage and a bit more Chablis..and MasonBentley was born. Right from the start we knew that a business just based on vintage would limit us – we wanted to create – truly create. But we had to start somewhere..and we had to find out if our idea for selling the clothes via Direct Selling would work.
Roll on eighteen months..and here we are with our own embryonic range..still learning, still loving it..and discovering that the more we do, the more ideas we have..sometimes, just sometimes from little acorns big oak trees grow.
The actual concept behind this collection is very simple – we wanted flexible, cool, effortless British style.
We have shirts because we believe they are the true transseasonal item worn all year round. There’s no time limit on these babies.
We have stunning ‘dickies’ that either sit on our shirts..or on a jumper..or on a t-shirt..adaptable, aspirational and clever.
We have cotton dresses because they are the ultimate in capsule wardrobe dressing. Posh them up with a pair of sky high heels..or dress them right down with flip-flops, insouciance and a bit of attitude..these dresses don’t need to wait in a cupboard for the right occasion.
We have a kaftan and a bikini as a taster of our vision for Summer 14 because we are always thinking ahead.
But rather than me tell you, have a look at our first round of photos (with more to follow)..
The Harper.


Check out the gorgeous buttons.
The Trilby in tusk crepe de chine.

Our ‘Dickie’, that can sit on top of a shirt like the macaroon – or be worn separately to Jazz up a jumper..
With a black bow..
Or with a Dickie-link.
The Billie.
Our Kaftan.
So if any of you can get to SW London on 11 June from 7.30 pm – 9.30 pm, drop me a mail at kate@masonbentley.com and I will send you an invite.
It’s going to be a special night and we would love to see you there!
Laters, Kate x
The Art of a fine print..
I don’t know about everybody else but it has been a steep learning curve for me getting to grips with all things IT..setting up websites, tarting up pictures – many has been the time when I have had the computer open in front of me with my Ipad balanced precariously on a knee trying to copy the instructions from one to the other…and then there’s all the different bits of social media that are meant to be linked in..and I’ve some how done all that…but it doesn’t mean I’m an expert in any of them, in fact it has taken me a while to work out exactly what each one represents.
The one I have got to grips with (slowly – it all takes such time!) is Pinterest.. but I love jumping in and flicking through the images..from crafts to interiors to shoes to clothes. It’s like having the best thought triggers possible at my fingers. We’ve started a few boards and at the start, I didn’t know what they would really be, but now I see they’re an online scrapbook…for us, Pinterest shows the source of all our inspiration…
The following pictures are in our ‘print’ board..I was interested to pull some visual references together as a designer who has designed prints for Givenchy (!) has said they are keen to design some prints for us…I feel a frisson..
1960s Lanvin dress.
Late 1970s Leonard Silk jersey dress.
1970s Pauline Trigere 3 piece set.
1980s silk chiffon James Galanos Gown.
1960s Donald brooks cord and net dress.
1971 Malcolm Star Caspian Silk Dress.
1950s Jaques Tiffeau silk dress.
1970s Domitvalli caftan.
1970s Hand painted silk skirt and shawl.
1960s Emilio Pucci caped top and trousers.
Pastel print Malcolm Star maxi dress.
1960s gold brocade evening maxi coat.
1940s Claudia Young silk Dragon dress.
1970s Mac Tac jersey print dress.
1970s coral and turquoise Maurice jersey dress.
1970s Leonard silk jersey dress.
1970s metallic silk Geoffrey Beene skirt and top.
1960s silk metallic Mollie Parnis gown.
1960s Bessi silk flowers and grape dress.
1960’s silk chiffon Pucci skirt and top.
(all pictures courtesy of http://www.firstdibs.com which would be my first port of call if I ever won the lottery)
Now if I could just work out how Twitter works…
Laters, Kate x
Vogue Festival 2013
Yesterday Anna and I slapped on the lippy, added a little MasonBentley number, clicked our heels and headed off to the Vogue Festival at the South Bank to hear the e-commerce oracle Natalie Massenet give a talk.


Loved the fact that the ad girls that I adore from Bottega Veneta were on the other side of the glass…their beauty was still illuminating..
Impressions? I have never been in such a large group of people where fashion was an over-riding obsession, it created a touchable energy I wished I could bottle. In fact it would be easy to intimidated – I know I used to worry much more about failure – and maybe it’s one of the joys of growing older that you can to stand back, observe and place feelings within context from the memory bank.
It struck me – and I have to be honest here – that there was the lack of heart stopping visions of fashion that really floated my boat. Everyone was all very very – there was neon, there was sheer, there was monochrome, there were see-through clutches..but surely if it’s been labelled a ‘trend’ you are following fashion rather than creating it?
For me great fashion has always had that element of unattainability – all precision cut, impeccably crafted, rich visual rewards with cleverness and innovation, Glamour, mystique and cool sophistication, beautifully crafted visions of perfection. But I did’t see that..instead I saw the need for celebrity spread across clothes like landing beacons for transient moments of limelight and a little bit of me wanted to grow wings and fly away.
Maybe the fashion I lust after is elitist which is why it’s been sidelined to a corner? Maybe fast fashion, bright colours and basic material is the only way? We had hoped that Anna might get ‘papped’ in our Valentina dress..I still believe that quality shines. But it was disappointing when we saw that the only outfits being noticed were the most extreme…the towering platform heels, the tiny skirts, the bling…do they really represent what women want to wear? what makes them comfortable? cool? It feels very wrong when we don’t like good any more…that we don’t hold it in esteem.
The talk was great – I would give my eye-teeth to have a two-to-one with Natalie Massenet..if you want to see it for your self all her slides are available on Instagram at @nataporter_mystorysofar. A huge amount of what she said completely resonated with us and our vision for the future. We were inspired.
Then, on the way out..’Madame..Can we take your picture?’…Only USA Vogue!
As Steve Martin said…be so good they can’t ignore you…
Oh! How I LOVE!
I have more dresses from our first collection…not perfectly shot because these were taken literally on the rails at the factory…but perfectly made…
This is the (Frilly) Billie in black broderie anglais…effing awesome in my entirely biased opinion! I will die to wear this dress..the piping…sooo chic!
The Grace in black..just a completely different dress…simple, elegant…wonderful!
This is our no-named shirt…Lace is our reflection on now..this print represents our vision for the future and a very british essence we wanted to capture. What has delighted us (can you tell?!) is that we wanted the core of our first collection to be cross-seasonal so we could carry it forward whilst growing new ideas…the other concept we wanted to embrace is escalator dressing..the ability to wear an item dressed up out to dinner..or casually with a pair of jeans or flip-flops..the final criteria is that where humanely possible everything will have pockets..love. love. LOVE! – check out the cuffs and the shoulders..
The Valentina, tarted up…don’t you want to just touch it? stroke it? Wear it? She is gorgeous!
Laters, a delighted Kate xxx
The Vintage Swimwear Special
I LOVE Roxy’s post on vintage swimsuits re-blogged above – I think helped by the fact that she looks so darn good in them…I am completely inspired and for once I am going to get my act together and start sorting my beachwear now and not the usual week before the plane leaves, when I fall into the horrible trap of compromise, misfit and doom…I want frills, halter necks, large sunnies, a turban and very red lipstick…Her post was written with perfect timing as for those of a tiny body frame I also have this:
The smallest addition to the MasonBentley Summer Collection – our very first sample bikini – but here’s to many more..and matching – or possibly contrasting beach layers to go with it…delicious. Anna will be wearing it somewhere in France this August..and stacking up the orders I hope!
Laters, Kate x
When I lived in Sydney I built up quite the collection of vintage style swimwear.
A 1950s bathing suit is the beach equivalent of a wiggle dress. An outfit in itself, it’s flattering and feminine, especially on women with curves. I love ones with halter necklines for complete cleavage control – it’s hard to pull off seaside chic when one boob is making a break for freedom.
For the journey to my sunbaking spot I just pull on a pair of Tara Starlet high-waisted shorts, a floral headscarf and some giant sunglasses to complete the fifties vibe.
I do own a couple of bikinis bought in moments of extreme optimism, but I always go back to my one-pieces. Who wants to be suffering midriff-related anxiety when they’re trying to relax on holiday?
If you’re looking for the genuine article I recommend Glamour Surf or Etsy. Most of the vintage originals are expensive but…
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LOOK!!
So excited!!! – These are four of the summer dresses we have been working on over the past few weeks…Normally all the ‘developing collection’ pics are posted on our ‘latest MasonBentley page’..but I think these deserve a little more limelight..
The nostalgia of these dresses is in the magic of re-discovery…the basic patterns have all been taken from vintage dresses – and then re-worked so none of the character is lost but there is an added attitude or ease of wearability (i.e. zips in easy places) to reflect our modern day living. The pictures below show the dresses primarily in the pale taupey beige broiderie anglais which is a gorgeous colour but we also plan to do them in white and black..and there is a winter version of the Valentina in the pipeline…
The dresses were all designed with different body shapes in mind..spot the one to suit you..I hope you like!
This is the Valentina. Dress up or dress down. Perfect for an English summer wedding when you can’t rely on the sun. Or put on a pair of flip-flops and head out to the shops..
This is the Billie. It’s simplicity and ease of movement is a joy – it will look good no matter how high the temperature rises… a pair of wedges, large sunnies and a straw bag and you are good to go. The belt can also be worn to the front with a large bow – Anna is just improvising without the official belt in this pic..but note the shape to the hem to show a flash of leg – the split and the curve – J’adore.
The Grace. Youthful, elegant, fresh. Dress up for dinner..or just wear on a summers day to pick up the kids from school.. feel a million dollars…the ‘dress’ has to be the ultimate capsule wardrobe. Full stop. No faffing with what goes with what – it’s on..and you’re off…
The Bergman. A hint to Anna’s Swedish heritage. A summer dress to get you noticed..wear this and you know people will comment…but it’s still a cotton summer dress..
Love ’em!!!
Laters, Kate x
A little bit of lace…
I’ve got lace on the mind..I see it where ever I look, what ever I do…admittedly we are in the throes of producing our own broidery anglais dresses and shirts which have been gentley loved into existence (divine – I should have photos, but I got swept away in the moment and forgot to take any. Doh…laters, laters) but I do have these inspiration shots:
My cuff



Pic from Valentino…how gorgeous??
Pic from Stella McCartney…I die…(though interesting underwear dilemma for us mere mortals..)
Pic from River Island………..£45.00. WTF! ^(*$%%^%$!
Definitely would need to see, feel and touch to confirm one could stand in the same room/house/large municipal building as a naked flame…
Laters, Kate x
Liberty’s, lushness and London x
I am a great believer in feeding the visual mind so I make little forays into London whenever I can, which lets face it, isn’t exactly a hardship…one of my favourite haunts is the lovely Liberty’s…

A temptation trove of delights and beautiful displays.

Love these candles – you lift up the domes and smell the scent caught in the tops of the glass. J’adore the whole styling/everything – like something out of Hogwarts…
Check out the fabulous names and descriptions..
Clever mind-confusing scent??…brilliant!


Interested to see this label as they blazed a trail for us – they started with just 8 silk shirts. Now look.
Very simple, very elegant, easy to dress up or down. Timeless.
Liberty’s – everything we aspire to be – beautiful inside and out.
When in London always look up.
A couple of minutes walk away through Soho is Beyond Vintage..well worth a browse.
Finished off with a well deserved coffee in one of the many boutique coffee shops
And a final browse round the market stalls..
Laters, kate x
Style Edit: Flares
I think I may be moving inspirationally backwards when searching for a point of brilliance in the hunt for my spring/summer wardrobe…the siren voice of the 70s is singing my name…I feel I know want..but whether I can find it will be something else entirely…
The truth is I am in love with wide trousers – the long triangle of silhouette making everything waist-wise look minuscule then set off with a small contrasting jacket..and those big sunnies…and a casual, but quietly expensive slung bag..sigh.
I am drawn to the proper flare/bell bottoms – and this is the perfect summer picture of desire – the way her trousers are deliciously skimming-the-ground-long and completely covering her shoes – which are probably a pair of wonderful Longchamp wedges subtly adding to height and length. Who can’t love that?
The summer would be so effortless – peasant blouses and louche, artistic tops…

It’s a good job that the louche, artistic top is a bit of a MasonBentley speciality…the final samples are being made as I type and proper photos will follow at some point…but to give you a taster, here is Anna modelling some of our new designs…
Gorgeous eh?
xxx











































