Category: 2016
Square Root..
Greece 2016 Part 1
Black and Right x
The only room that hasn’t been decorated downstairs is the toilet. It’s a conundrum and I’m still butterflying between different ideas, the latest of which is a growing love of irregular patterns and wallpapers, particularly in monochrome.

(For more details on wallpapers click here)
I like to think that small spaces can take big ideas…
Laters, Kate x
Maria Black x
There’s something special about wearing simple jewellery in the summer months when everything becomes a little less pressured and a little more precious.
Maria Black Jewellery combines beautiful lines with artistry – she wants you to wear her pieces with individuality and freedom like a single cloud on a hot day.
Ideas to embrace.
Laters, Kate x
Save the day..
When writing a post for this Blog, sometimes it’s planned – more often than not, it’s spontaneous and every now and then it’s fate. This is a fate post – with a long list of things to do this morning, none of which I’ve managed to get done, I came to my keyboard late wondering what on earth I would write. Then I opened up Heather Clawson’s post of the day from Habitually Chic and need, love and fate all collided. Heather had posted pictures of a stunning house in Spetses from an article in Architects Digest which is telling as it was only last week we were on the island. What makes it more poignant is that today is my parents 49th wedding anniversary and they are still out there…and there is nothing my mother likes better than a good nose around a house – this is for you mum – Enjoy and happy anniversary!
Laters, Kate x
Sitting room storage..
Sometimes I dabble, sometimes I dream through half-closed eyes looking at the offending room, or in this case, corner of a room wondering what trick will create the magic. The present corner in question is in the sitting room which is less hipster chic more family mess with the tv balanced on an unloved old side table, multiple plugs, leads and consoles plus a most unattractive plastic box filled with…tat. So instead of chaos I think of clever storage and chic solutions…..and it’s vintage wall units all gently glowing with decades of love and charm that focus into view.
(You can spot the offending item next to the yellow chair in the lefthand corner)
TV’s are always problematic – large, black, ugly they dominate a room. I sorted it in our cellar cinema room (aka The Underworld) by darkening the walls and designing a specially made fireplace that sneakily both hid all the cables and opened up to reveal the dvd player, set boxes as they were needed…the front has a grill that drops down for easy access but also works closed as you can change channels etc through the mesh. It’s been a revelation.
The storage needs to be practical and beautiful so the current thought is to go for a Poul Cadovius style wall unit. The appeal is the simple design and it’s flexibility – the shelves/cabinets can be arranged in any order.
I’m thinking the cabinet with sliding doors, like the one above, could sit with it’s back cunningly removed over the plugs on the wall and hide all the leads and house the dvd/etc (I refuse to get rid of my dvds..one day they’ll be like vinyl. Promise.) And then, because it’s deeper, the TV could also sit on top…even be angled.
The rest of the shelves could be then arranged above.
I think it’s a solution. Can it be a reality?
Laters, Kate x
Stunning Storets x
This is a new label for me: Storets (based in the States, but they do free shipping, even internationally for any purchases over $75) Their USP sings a happy siren song: Interesting fashion with a feminine element that won’t break the bank.
Prices are roughly $60 – $150..but they look a million dollars – like straight off a red hot catwalk with the cats licking their paws to cool them down.
The only downside is – and this could be due to the season winding down – when I looked, the only sizes available were small. Maybe that’s how they keep their prices so low..
I can only hope they expand. In more ways than one.
Laters, Kate x
Dog Wool..
Can love ever be too much or am I just too westernised? I spotted an article on DogWool on the plane on the way back from Greece – apparently there’s a little place in Brittany between Abercerac’h and the Virgin Island lighthouse that will use a traditional spinning wheel, to spin your dogs unwanted hair into balls of wool ready to knit.
Which is nothing if not honest recycling: It’s something Eskimos have done for centuries using Husky hair as the perfect property against the cold. In northern Russia they knit socks of dog wool to prevent rheumatism…
But here? Now?? Maybe my worry is that we don’t live in an extreme cold environment where fingers drop off if they’re not covered appropriately and – lets be honest – this further blurs the line between dog and owner – we already know how many morph to look like each other and now, through this they can genuinely can be a human in dogs clothing.
And what happens when your dog dies??
If this is your thing, then by all means go for it – there’s certainly a high level of skill involved…personally, I’ve never met a dog I didn’t like…sadly I can’t say the same for knitwear..Molly, you’re safe.
Laters, Kate x
The True Cost of Fashion x
This was written a while ago – but I think still has some relevance today..
Working at the rock face of fashion I have realised that very few people actually know how the modern clothing business truly works, particularly in terms of cost..and therefore profit.
Researching a visual to explain things quickly I came across the website of Everlane, who produced the following pictures..
The aim behind the pictures was to illustrate how consumers are ‘ripped off’ along the chain of events that leads to a designer purchase. But is it entirely accurate?
From make to wholesaler = 224% margin
From Wholesaler to retailer = 333% margin.
Which are big margins – but the diagram doesn’t explain them – the margins do represent a percentage of the profit but it’s only a percentage not the full whack. The margins are also required to cover other costs:
Further shipping, more transport, import duties, administration, design time, development, currency exchange, banking fees, marketing, loss leaders, pattern cutters, equipment, fittings, pattern changes, warehousing and storage, rent, utilities, IT costs, even labels, zips, threads and buttons..and probably much more.
At the second tier, for the retailer there could be a brick and mortar shop to pay for, employees and all the associated costs, advertisng, their own loss leaders etc etc…
The pictures do prove that nothing in fashion is simple.
It is possible to cut these costs. If you’re mass market and contract out to a third world country I’ve heard you can get a t-shirt made for 2p. In fact clothes have never been cheaper and are now fully accessible to all. Which has to be a good thing..But at what cost? 1,100 people died in the Bangladeshi factory disaster…is it ethical? Is it exploitation? Where does the line get drawn?
There are other alternatives abroad – better factories, better conditions where many of the ‘luxury’ fashion labels get their product made. And yes, with their financial clout and established infra-structure maybe they can make those sort of profits..but even then think how much money goes into marketing to support their brands? And think about the problems that can go wrong – the delays, the accidents, the unexpected that all has to be factored in. And all the time all that money being spent on manufacture is money draining out of the UK economy.
So where does this leave a British based start-up fashion label like us?
We can’t buy our materials in bulk so there is no reduction in cost for us there.
We can’t make our stock in bulk so there is no reduction here either.
Our ‘factory’ is an ‘atelier’ – a room of skilled – masterful – sewers based in London who make everything by hand. Not at a cost not per garment, but per hour. Look at a sewing machine, look at an expensive piece of silk and look at the finished product – the tiny stitches, the French seams. It’s not a fast job. Each hour is £25.00 plus VAT. But that is the cost of a craftsperson at the top of their profession..
We have no choice, we have to start at the designer end, the hard end – so why bother?
We still believe that there is an element of magic in fashion. We believe we can make a profit by cutting out the wholesaler and selling direct – only time will tell. And we believe that at some point consumers acknowledge they are buying more than the tangible item itself..we believe that value can take on a new meaning, that design can be desirable, treasured and trusted…our atelier is so good they do work for Victoria Beckham. We have drive, we have passion and we have a designer in Anna who has an acknowledged pedigree having worked with the greats such as Karl Lagerfeld and Valentino..she knows this industry and she was born to design.
The truth is that the Everlane illustration was too simplistic – the bottom-line is that in the retail world not all products are created equally. And some are definitely created with more love and care than others. Only sales will confirm whether that is worth the price.
Laters, Kate x








































































