Category: Thing of Beauty
Jason deCaires Taylor..
A true global and renaissance man, Jason deCaires Taylor was born in 1974 to an English father and Guyanese mother. He then grew up with one foot in Europe, the other in Asia with regular diving trips in Malaysia. In 1998 he graduated from the London Institute of Arts with a BA honours in Sculpture….before becoming a fully qualified diving instructor, underwater naturalist (Note to friends: That’s not a naked diver) and award winning photographer.
Then in 2006, off the West Coast of Grenada, he created his first underwater sculpture park and a life blood of creativity was unleashed.
His work explores the slipstream where Art and Nature collide, the grey area between man’s exploitation of nature for industrial means and the acknowledgement of the fundamental power of the earth: As time begins to colonize the forms it creates it’s own architecture, dramatic pulse and language.
This pulls on something deep within – the mystery of Atlantis, Pompeii, fairytales..even gothic Victoriana. They’re a dark presence, yet awe-inspiring at the same time.
Under the water is a world Jason knows, and through his art he aims to highlight the living beauty of the under world to encourage environmental awareness and instigate social change.
For anyone who’s heart sank at the news this week that 90% of sea birds have plastic in their stomachs, he’s a crusader you want to stand up and applaud.
His work isn’t limited to the turquoise depths of Cancun and the Bahamas..this mystical beauty can be found in Canterbury…
And now, from Sept 1 – 30, on the Thames foreshore at Vauxhall, London, adjacent to Camelford House and 87-90 Albert Embankment, is a new example of his work: The Rising Tide, commissioned by Totally Thames.
It highlights the role the river has played in the shaping of London’s history. And how easy it’s been for us to abuse it.
(All pictures from here and Jason deCaires Taylor’s Facebook page)
These could be horses, but they’re oil pumps..animals of industry, draining the land.
A theme as strong and compelling as any story ever told.
Laters, Kate x
Jason deCaires Taylor..
A true global and renaissance man, Jason deCaires Taylor was born in 1974 to an English father and Guyanese mother. He then grew up with one foot in Europe, the other in Asia with regular diving trips in Malaysia. In 1998 he graduated from the London Institute of Arts with a BA honours in Sculpture….before becoming a fully qualified diving instructor, underwater naturalist (Note to friends: That’s not a naked diver) and award winning photographer.
Then in 2006, off the West Coast of Grenada, he created his first underwater sculpture park and a life blood of creativity was unleashed.
His work explores the slipstream where Art and Nature collide, the grey area between man’s exploitation of nature for industrial means and the acknowledgement of the fundamental power of the earth: As time begins to colonize the forms it creates it’s own architecture, dramatic pulse and language.
This pulls on something deep within – the mystery of Atlantis, Pompeii, fairytales..even gothic Victoriana. They’re a dark presence, yet awe-inspiring at the same time.
Under the water is a world Jason knows, and through his art he aims to highlight the living beauty of the under world to encourage environmental awareness and instigate social change.
For anyone who’s heart sank at the news this week that 90% of sea birds have plastic in their stomachs, he’s a crusader you want to stand up and applaud.
His work isn’t limited to the turquoise depths of Cancun and the Bahamas..this mystical beauty can be found in Canterbury…
And now, from Sept 1 – 30, on the Thames foreshore at Vauxhall, London, adjacent to Camelford House and 87-90 Albert Embankment, is a new example of his work: The Rising Tide, commissioned by Totally Thames.
It highlights the role the river has played in the shaping of London’s history. And how easy it’s been for us to abuse it.
(All pictures from here and Jason deCaires Taylor’s Facebook page)
These could be horses, but they’re oil pumps..animals of industry, draining the land.
A theme as strong and compelling as any story ever told.
Laters, Kate x
Black Beauty.. x
Welcome to my unexpected night of bacchanalian revelry with it’s feast for the eyes and over-flowing platters of deliciousness.
Unexpected because it was a Corporate night out with The Husband and his suits…
But then strange things can happen when you mix the dark arts with a private viewing of the McQueen exhibition..
Pure alchemy..
Laters, Kate x
Ray of Sunshine x
The end of term is creeping up and, as ever, it can’t come soon enough – I’ve got both mine off school today with sore throats – they’re really just knackered. And I can relate – I’m still feeling like I’m living underwater since last week. Which is why it’s rather lovely to find (thank you cousin Claire) humorous, supercool art like Rainworks!
Invented by Peregrine Church in Seattle, these street art pieces are the proverbial silver lining only appearing when it’s wet.
The designs are stencilled onto concrete using hydrophobic, environmentally friendly spray (for details check out the website – it’s literally stuff you can pick up yourself) which last for up to 4 months, depending on weight of traffic. Effectively, the spray keeps the concrete dry.
Genius. Now….where’s my nearest piece of concrete??
Laters, Kate x
Doll Face x
I saw this first on a friend’s Facebook page (thanks Sarah Dezille) and found it incredible on so many different levels. These are the Tree Change Dolls – face-overs given to unwanted Bratz dolls by the artist Sonia Singh from Australia. Using simple nail polish remover and eucalyptus oil, she removes the original paint..and re-paints new faces. The dolls are then re-dressed in outfits handmade by her mother, transformed from something ready to be thrown away..to a true Cinderella moment…it boggles the mind to think they once even shared the same gene-pool..
Sonia was just doing this for fun..then she uploaded a few pictures on her dolls to Tumblr..and the effect went viral..
It’s not surprising..she’s created something so simple, so innocent..and for me, captured something utterly nostalgic and precious. Inadvertently her dolls have opened up the debate on the sexualisation of children and the increasing speed with which they now grow up. For me it’s less about that – I wouldn’t tell Bella not to play with a Bratz doll. But I love how something so simple can radiate an even stronger power: After years of drink, drugs and bad hair extensions, these Bratz have a new lease of life away from their whirling, high-energy, high-pressure existence and are now embracing and thriving in the type of life I’d like for my kids..
And there’s nothing to stop anyone else from having a go – there’s various Youtube films made by Sonia showing how to do it yourself which I thoroughly recommend..but I rather like her first film, explaining how it all started:
I think they’re wonderful, and hope, over the Easter holidays to create some UK versions with Bella (although I ‘d be perfectly happy just to find a quiet corner and do it by myself…)
Part of the appeal is that the eyes and expressions remind me so much of Sasha dolls from the 60s and 70s. A doll I never had but coveted – my best bud Ella had two! Not only did they have such enigmatic faces, but their wardrobes were to-die-for too..
(I’m sure it was my first experience of the power of clothes..)
It always amazes me how life works in cycles…Tree Change is the old-fashioned calm at the heart of the modern life storm…and I love it!
Laters, Kate x
Haute Spot x
I have a sentimental weakness for the twinkling lights of Christmas – come tomorrow night, ours will be packed away for another year, marking the end of what has been a really rather lovely Christmas break…if self-indulgence is an art, there’s been just the right mix of celebrations and duvet days: The school routine and early mornings kick-off tomorrow and are going to be a seismic shock to the system..but now, excesses be damned, at least there’s something back in the tank to start the juggling again..and the harsh reality of New Year resolutions can wait another week: I like this feeling of cosy hibernation..
But if I had money to burn in this post-Christmas-spending-month-of-bill-contemplation, this fire-pit would be the object of my desires: Created by hand by the Artist Melissa Crisp and inspired by the north woods of Minnesota where the artist’s mother grew up it’s a living, breathing, visual delight..
Imagine the leaping shadows holding the cold of a winter frost at bay – that wonderful mix of being out in the elements, but warm…But until such times as the Lottery turns in my favour (as The Husband pointed out: would help if a bought a ticket), I shall just dream: There’re enough memories to keep flames burning…and simple candlelight and open fires aren’t a bad replacement..particularly if the candles are Jo Malone..sigh…and so once more into the darkness of winter we go..
Laters, Kate x
It came upon the midnight clear..
That glorious jumpsuit so bold..
Like an angel dancing on the earth,
With tempting touches of gold..
Laters, Kate x
Happy Easter!! xxx
And what better way to celebrate Easter than with the coolest eggs ever?
These are by the celebrity Tattoo artist Scott Campbell who’s inked such illuminaries as Marc Jacobs, Helena Christensen and Penelope Cruz.
Louisiana born Scott abandoned a career as a biochemist to follow his calling (you can just imagine what his parents thought..)
I love that he doesn’t consider skin his only artistic canvas – the street aesthetic of the Tattoo style works so brilliantly against the fragility of the ostrich egg. The snakes and spiders feel like their about to hatch out and all the time there’s an on-going relationship between life and death.
A lady..or a skull?
Refreshing to see talent respected for talent no matter what the roots.
I find them utterly compelling.
Wishing you all a WONDERFUL Easter!
Laters, Kate x
They Came Out to Play…
Sarah Burton. Her time is now. Producing the eye-searing clothes that would’ve had Isabella Blow dragging on her ash-dripping ciggie with uncontained pleasure..
A femininity of drama without being frilly with the power to take us on flights of fancy away from grey pavements and cramped tube carriages.
Blurring the lines between couture and ready to wear, the workmanship is sensational – like elves and fairies have been at work.
Pushing the boundaries, McQueen’s never been ordinary or suburban. In a unique niche, it always has to be more. More than the High Street with the power to defy industry molds.
A bird of paradise brought to life in the urban jungle. You just want to stroke it’s gentle plumes and calm it’s beating heart.
The perfect Oscar dress?
Cate Blanchett?
And all this from the woman with one year old twins?…I doff my vermillion ostrich feathered Tracey to her..but I also want to give her a cuddle…and a nice cup of tea with a biccie on the side..
Laters, Kate x
Happy Valentines! xxx
You live with me always.
Your love will carry me all my days,
as I will live my life, cherishing
my love for you.
Even when we are finally parted,
I will remember,
and search for you.
Earthly love,
Pedestrian and earthbound
Soaring into the sky.
XXXXXX
Maison Bentley Style 