Category: Designer Brands

Stellar Stella x

 

 I am obsessed by supermarkets. I watch them change, adapting to the demands of society. Their purpose is to fill a need and make a profit, but at what cost? Where does the truth lie? The cynic in me thinks they’re not changing because they have a conscience, but because it’s another tag line to peddle, another profit pocket to plunder, and so I watch with interest the bright, shiny, plastic packaging of their organic and vegan food, designed to appeal. Which means I sigh with pleasure when someone with real clout can dig deeper than green-washing headlines and cultivate, from their rich soil upwards, a brand embedded and held up by sustainable beliefs.  But the shining joy of Stella McCartney is not just her glowing ethos, but her vision, because she points to a future away from obvious hippy, home spun stereotypes that says caring can be luxurious; she blurs boundaries, fuses opposites and visibly demonstrates that anything is possible, if we want it enough.

 

 

(All pics Pinterest and Vogue)

Bring it on.

Laters, Kate x

Cubit x

 

 

 

We’ve been looking at getting a new corner sofa  in the sitting room. If money were dreams and conveniently grew on trees and my sitting room were double the size, I would seriously be considering a Cubit sofa: Sustainable, architectural and totally flexible…all the things I desire to be…


(All pics Pinterest and Cubit)

 

I think it’s the freedom that’s at the root of their appeal: There’s something so nostalgic about re-arranging the cushions and chairs to make something just for you, it’s like adult lego for nest builders.

 

Laters, Kate x

Stellar x

I’ll always be a louche girl:  The gentle sag of intentional volume, the shadows of creases, the unexpected appearance of skin, the visual freedom of I just don’t care.  All this was summed up by Stella McCartney’s SS18 show which managed to both embrace decadence, luxury and hit high on practicality.

 

Surprise partnerships look evolutionarily natural.

Tie-dye looks cool.

(All pictures Pinterest and Vogue)

 

Away from constrictions and restrictions it was loose lightness with a touch of fresh air.

Laters, Kate x

Pippa Holt x

Not cheap. But these are the dresses I could live all summer long in. Simple, free, colour and a touch of the barefoot…

Beauty without having to think. Ticks the boxes for mr.

 

Laters, Kate x

Pascale Monovoisin x


I like to think that way back, when the rules of the world were decided, there was a little subsection that was quietly written into stone which read, And for summer there will be a certain type of jewellery that will look and feel right, sing of sunshine, long days and blue skies. These pieces by Pascale Monovoisin belong to that heady group.

Is it the simplicity, the link to nature, the colours? Or is it that summer just makes choosing much easier, freer and organic?

 

Laters, Kate x

Phluid x

Clothes are so ubiquitous it’s easy to take them for granted: fripperies, feathers and function. Except they unconsciously say so much – they are our inner identities reflected back to the world.  Those moments when you have nothing to wear? It’s really because there’s nothing to express who you want to be that day.

But what if the freedom we believe in is really a myth? What if society has conditioned our thinking so much we no longer notice the rules, the divisions and the assumptions they lead to?

And there are many of them: Blue for a boy, pink for a girl, pretty dresses for girls that look sweet but don’t take into consideration climbing trees and protection against skinned knees, trousers for boys that metaphorically take on another meaning, T-bars for primary school girls, running shoes for boys, Pedestal high heels for women: the literal presentation of an object of desire: Look sexy, feel sexy they shout. Taxi shoes! We laugh, the truth covered by humour, falling for the fantasy rather than admit they’re restrictive, tortuous and totally lacking function.

What about sizing? It’s another hidden form of segregation: There’s the designer labels who don’t make anything above a size 14 – what’s the message they’re giving?  That only the rich are perfect?  Or that designers only want to hang their clothes on hangers, not real bodies, real people? But we still let them, maybe one day hoping that person will be us, another part of our insidious cultural brainwashing. What about the clothes store that allegedly offer larger sizes except they never have any in stock? Is it because they can’t understand why someone with that body would want to wear it? Is that really their choice to make? When what’s available for one body isn’t available for another it’s limitation, restriction, and control.

Gender is another straitjacket demanding clothing conformity, every store with racks of clothes marked out for one type of person only, the changing rooms following suit.  Who has decided these divisions?

Certainly not PhluidPhluid is the first gender neutral store that’s just opened in New York as a place without judgement or fear where it’s the clothes that do the talking, not our mental labels. Phluid says we have the ability to imagine a world without ‘because we do’ traditions and outdated rituals that don’t work.  They say it’s up to us to open our eyes and fix it: Acceptance, balance, integrity, intention are so much more appealing.

 

(All pics Phluid)

Personally, it’s such a relief to see a store that celebrates what makes us different whilst cherishing what makes us the same: We think choice is freedom, but it only is if that choice is available to everyone.

 

Laters, Kate x

The Oscars 2018

With dresses it’s personal, but given timeless elegance with a touch of vintage or eyeball hogging extravaganza the first will win every time.  Like Laura Dern in Calvin Klein by Appointment pure cool, sleek understatement.

Looking with new eyes, never is the difference between men and women more visual than on Oscar night, hashtag – when will we see a man in a dress? This is Gal Gaddot in Givenchy with just the right amount of flapper girl swing.

2018 marks another year with little experimentation, hence Haley Bennett in Christian Dior makes my best dressed list.  A brave choice and with any luck, the current PC storm will suppress any bush trimming innuendos. Who knows?

Zoey Deutch in Elie Saab Couture sneaked in because it shouldn’t work, but it does.

(All pics Vogue)

 

Phoebe Waller Bridge, a particular icon of mine, looking demure in Vionnet.  Except I lay good money she chose the print to match her beauty spot and trod the carpet giggling inside…Go Phoebe!

 

Laters, Kate x

 

 

High Altitude x

The mirror in which we see ourselves is warped – so why not pull the lines a little bit more?

So thinks Paper London, a fashion brand that imbues simplicity as it’s backbone and strong architectural lines, it’s war cry.

How cool and clever? Asymmetrical, flattering and pulls the eye to a different point of interest.

(All pics Paper London)

A fashion label that knows what it thinks.

Laters, Kate x

Jamb x

If money were no object and unicorns were real, the choice of light for the study wouldn’t be which light, but which light from Jamb.

There’s a meticulous attention to detail that sums up the English historic aesthetic.

All these lights are reproductions. Except you wouldn’t know it, from looks or price.

(All pics Jamb)

Sigh. Dream. Lust.

 

At least it’s the first of December and Christmas can finally be mentioned. Now where did I put those pesky elves?

 

Laters, Kate x