Category: Art

I Heart Mr Morris x

But as a rule, it’s been because of his interiors..however..
1010299_588194241225644_1977287225_n Nigel Weymouth wearing William Morris Jacket with Rufus Potts Dawson, Amanda Lear and Jess. Photo by Colin Jones 1967.421890_593424814035920_926321943_n-1156417_491981824170869_1810068023_nGeorge Harrison also sporting a fetching number… And the modern equivalents..alice_olivia_007_1366.450x675Alice and Olive floral skirt. Style.com

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Oswald Helgason A/W 2013 Collection..seriously worth checking out.314992_502618853107166_1707013513_n169017_181333038569084_8101372_nCrossing the centuries: Maria Sethe.

Which goes to show, when it works..it works.

Laters, Kate x

Eye Want White x

I’m having a serious limerent moment with retro sunnies..which has led to these heady pics..

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tumblr_lycm13QW4d1r748a9o1_500Unique-Sunglasses-Retro-Space-Age-5Unique-Sunglasses-Retro-Space-Age-3Unique-Sunglasses-Retro-Space-Age-2Unique-Sunglasses-Retro-Space-Age-1383967_f520Windows to the soul or the opportunity to hide behind a mask..the choice is yours…

Laters, Kate x

The True Cost of Fashion x

October-1947--Women-at-wo-001This was written a while ago – but I think still has some relevance today..

 

Working at the rock face of fashion I have realised that very few people actually know how the modern clothing business truly works, particularly in terms of cost..and therefore profit.

Researching a visual to explain things quickly I came across the website of Everlane, who produced the following pictures..

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The aim behind the pictures was to illustrate how consumers are ‘ripped off’ along the chain of events that leads to a designer purchase.  But is it entirely accurate?

From make to wholesaler = 224% margin

From Wholesaler to retailer = 333% margin.

Which are big margins – but the diagram doesn’t explain them – the margins do represent a percentage of the profit but it’s only a percentage not the full whack.  The margins are also required to cover other costs:

Further shipping,  more transport, import duties, administration, design time, development, currency exchange, banking fees, marketing, loss leaders, pattern cutters, equipment, fittings, pattern changes, warehousing and storage, rent, utilities, IT costs, even labels, zips, threads and buttons..and probably much more.

At the second tier, for the retailer there could be a brick and mortar shop to pay for, employees and all the associated costs, advertisng, their own loss leaders etc etc…

The pictures do prove that nothing in fashion is simple.

It is possible to cut these costs.  If you’re mass market and contract out to a third world country I’ve heard you can get a t-shirt made for 2p.  In fact clothes have never been cheaper and are now fully accessible to all. Which has to be a good thing..But at what cost? 1,100 people died in the Bangladeshi factory disaster…is it ethical? Is it exploitation? Where does the line get drawn?

There are other alternatives abroad – better factories, better conditions where many of the ‘luxury’ fashion labels get their product made.  And yes, with their financial clout and established infra-structure maybe they can make those sort of profits..but even then think how much money goes into marketing to support their brands?  And think about the problems that can go wrong – the delays, the accidents, the unexpected that all has to be factored in.  And all the time all that money being spent on manufacture is money draining out of the UK economy.

So where does this leave a British based start-up fashion label like us?

We can’t buy our materials in bulk so there is no reduction in cost for us there.

We can’t make our stock in bulk so there is no reduction here either.

Our ‘factory’ is an ‘atelier’ – a room of skilled – masterful – sewers based in London who make everything by hand.  Not at a cost not per garment, but per hour.  Look at a sewing machine, look at an expensive piece of silk and look at the finished product – the tiny stitches, the French seams.  It’s not a fast job.  Each hour is £25.00 plus VAT.  But that is the cost of a craftsperson at the top of their profession..

We have no choice, we have to start at the designer end, the hard end – so why bother?

We still believe that there is an element of magic in fashion.  We believe we can make a profit by cutting out the wholesaler and selling direct – only time will tell.  And we believe that at some point consumers acknowledge they are buying more than the tangible item itself..we believe that value can take on a new meaning, that design can be desirable, treasured and trusted…our atelier is so good they do work for Victoria Beckham.  We have drive, we have passion and we have a designer in Anna who has an acknowledged pedigree having worked with the greats such as Karl Lagerfeld and Valentino..she knows this industry and she was born to design.

The truth is that the Everlane illustration was too simplistic – the bottom-line is that in the retail world not all products are created equally.  And some are definitely created with more love and care than others.  Only sales will confirm whether that is worth the price.

Laters, Kate x

African heat..

imagesShoes by Burberry Porsum.

Like a moth attracted to a sweet spot I’ve been drawn towards the beauty of African print.  It has that magic touch of satisfaction where something unusual feels like it should’ve always been in my life.  I love the electric powerplays of colour… the fluid graphics..the exuberant clashes..it’s a buzz that gathers and turns a piece of material into a stage..

Burberry ‘did it’ a few summers ago….

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(Burberry Porsum summer 2012, photos courtesy of style.com)

But I think it’s time for the love affair to diffuse down the food-chain…I want to see more on the streets generally..there are legs on this baby… These photos were taken by MG Onania for Fashizblack Magazine..

African-inspired-fashion African-inspired-fashion1 African-inspired-fashion2 African-inspired-fashion3Rich, magical and aspirational.

These are of Yassive Rahal by Julien Cozzoline for Fashizblack Magazine:

tumblr_mizyc7jYAi1qd9ql4o1_r1_500-2 tumblr_mizye1Vr5g1qd9ql4o1_r1_500-1And these are from a wonderful blog: style-caralho.blogspot.co.uk. ( I don’t know the indivdiual photographers name – but if anyone does, I’m very happy to attribute)

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Personally I think we all need a fresh blast of African air.

Laters, Kate x

For Abbie x

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This post isn’t symbolic of anything but it’s a look back at the year: It’s been a rollercoaster with a little too much chasing of tails, not helped with building works, the decorating of building works and a third project that’s been slowly ticking over in the background.  It’s all led to less time for this place – but it’s been a point of pride to try and get something out each day and a big thank you to all those who have stuck through the chaos!  This is definitely my outlet – a place to pin down thoughts and make ideas real and remains one of my favourite parts of the day.

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But once again time has a life of it’s own: I’m leaving for Greece shortly – a whole week earlier than expected which means crushing everything into an ever smaller time frame.  So I’m very grateful to Abbie and her blog Twenty, Trendy and Thriving for nominating me for a blog award and presenting me with a list of questions to answer.  I’m going to be cheeky and use each question as individual Blog posts to give me something to hang my brain cells on.

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Her first question is ‘Who is your biggest fashion inspiration?’ It’s a toughie and could be the continuing story of this whole blog, but if you distill it down, the grains of truth could be older ladies, like the Advanced Style girls who’ve learnt the lessons of life, know what suits them and unashamedly flaunt their own type of beauty.

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Happy to be so relentlessly wrong, they’re right.

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Pulling together looks with nothing more than one hundred percent pure style.

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They encapsulate the knowledge that when you don’t dress like everyone else, you don’t have to think like anyone else. Food for thought.

Laters, Kate x

Holly go brightly..

Main staircase to Goethe Institute Princes Gate | Architect: Sir Charles James Freake |

Today marks the last Monday of term and school prize day – a day to avoid if ever there is one.  I swore last year, after three hours of clapping in heavy, muggy heat that I would never go again – and that was after the mornings two hour session.  But, there’s no emotional escape from the kids need to know you’re there..in world economics it’s a price too high to pay not to go, so it’s time to slap on the smile and don the nonchalance for one more time. I’ll be sitting there, checking out the colour combinations and trying to work out why some things work that really shouldn’t..and the reverse.

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SE surfaces Torvaldsen

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Think of me.

Laters, Kate x

The secret is out..

Now for something totally different: This was something that we did with my sister-in-law and brother-in-law and few months ago..except I couldn’t write about it then as we were all sworn to secrecy but now this particular experience has finished the secrecy is no longer needed and to be honest, somehow it feels appropriate to think back on something we brits are good at: obscure, ironic brilliance.  This was a whacky, immersive dining experience set up by a Company called the Gingerliners in a warehouse in the Hoxton area of London where every course was in a different room, with a contrasting theme/story/setting..each more crazy than the last. (See the video above for the best interactive experience..or just enjoy the pictures)
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It was a bit like being in a Harry Potter movie..you entered the first room on a sledge with four other people through a low tunnel to find your self in a rainforest complete with bird-girl on a swing and our starters in the trees…

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The next room was run by a robot and her baby and our soup came from a suspended engine..

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The main course was held in a haunted banqueting hall complete with dracular-like waiters.images-2

Have you ever been in one of these as an adult, drunk and drinking from a urine pouch??

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Dessert was sorted by a dolly with a trolly on a plane, with accompanying dance and song.  We left via a giant slide..convinced the whole thing had been some fantastical dream.  It’s opening again in September (go to Gingerliners to get on their mailing list) with whole new rooms of experience – tickets are hard to get – they sell out FAST.  But if you like your reality hot-wired, this is the place for you.

 

Laters, Kate x

Shibori..

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Yesterday was spent teaching a group of friends (I’m a rep for Charlie’s class) how to shibori tie-dye. It’s something I love to do with its heady mixture of deep indigo, spontaneity, freedom and promise.

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I’ve posted about it before (here) but this year was a little bit different/lessons learnt – the scarfs are longer (2m – possibly the perfect length) and the dye is a new one: If you’re making a large dye bath with the more commonly used Dylon, it’s hard to keep the solution warm so I went for a procion dye that works with cold water (it’s the dye they use for batik dying) and it produced excellent results.  If you want more info on dyes and techniques, check out this website  (makes me wish I lived in Bognor)..this is a brilliant craft for kids in the summer..and imagine on duvet covers, sheets..or even larger pieces of furniture! Bella spent her evening after school dying..socks!

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Gloves are always useful..

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This may be old school..but it’s still the best.

Laters, Kate x

Just because..

Thank you Dievca x

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In response to my post about Mark Champkin’s flower lights, the lovely Dievca sent me a link to Studio Drift’s Shylights at the Rijks Museum in Holland. I’m so grateful because they are a wonder to behold…

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I thoroughly recommend watching the film they made during the making process: The attention to detail, the care…the joy.

Laters, Kate x