Category: Style
SHOES! What SHOES?!
It’s like being a child again and knowing Christmas is around the corner..or getting a private invite to Willy Wonka’s Chocolate Factory..and it’s happening TODAY..we really are going to Vogue House to show the Collection to Vogue and Tatler…Anna’s wearing the black Bergman…I’m thinking the Billie or (frillie) Billie for me…but SHOES..
Elegant, faithful favourites. But probability of face-plant? High. I’m not sure pigeon steps are a good look and I have an irrational fear of stilettos on marble floors – do you think they HAVE marble floors?..golden gates..angels?..with wings?…
Understated, simple, easy..and very, very..flat?
Love my Hasbeens – comfortable, quirky, and….loud….would be like arriving with my own personal set of percussion players..
The ideal. By Belstaff. That ankle cuff. Sigh. The compromise..
These. Found in a little local shop…just enough of something..I hope.
Think of us!!
Laters, Kate x
The Best of British x
Andy Murray has won Wimbledon!!!! Yayyyyyyy! (Do you KNOW how many times I have suffered, truly suffered watching Wimbledon?) The Lions won their tour (Whooo hooo! Nice lead up to the World Cup lads…shame you’ll all be on different teams) and Chris Froome is wearing the yellow jersey in the Tour de France (I am a Tour nut. Sad but true. Go Sky!) What’s more the sun is finally smiling: Britain is cresting a wave..and good ol’Marks and Spencer are keen to get in on the act..
The Marks and Spencer AW 2013-14 Best of British Line will land in selected stores in October and I for one will be watching with interest. Like us, they want everything to be manufactured in the UK – Jumpers from Hawick in Scotland, Outerwear in Manchester, Shoes in Northampton with Goodyear welted soles..which means a higher price-point (coats £299, trousers £129, shoes £165 etc), lower margins and an emotional plate-shift away from chasing the fast fashion phenomenon of the High Street. The big question: Will the public buy-in and buy it?
Like many Brits, I’ve always had a soft spot for M&S and have found the destruction of their chore values some what soul destroying..timeless, classic, quality was down trodden in the rampage of the decision makers seemingly more eager to get close to the flame of pile it high, sell it cheap.
But fresh from this stuttering nervous breakdown Best of British is strong and striking with distinct and praise-worthy heritage references.
I’ve missed the repression and reliance on tradition.. I want those pieces in my wardrobe..the ones that melt seamlessly in. The honest truth is, if I want stand-out, I wouldn’t look to M&S and that has always been the case.
Now they are toying with ennui and affluence.
Opulence with restraint.
It’s a marriage built on strong visual foundation and an audacious narrative: Buy less, but buy better..a Collection of integrity with a clear message that has my absolute support.
Laters, Kate xxx
Insouciance Celebrated x
Rosie Assoulin is the new darling on the fashion block and it’s easy to see why with her first 2014 Resort Collection. More cunning, less solemn with a louche swagger that leaps off the page and into the first passing wardrobe..
I could wear this, knock people’s socks off and still eat lunch. Result.
Sharp timing, yet oodles of time.
Block colours with contrasting avant-garde shapes. Unconventional, succulent and impressively chic..it’s a joy to see that sexy doesn’t have to equal fitted to within an inch of respiration. Case in point..but topical..the women tennis players at Wimbledon..
Beautiful, fit girls in their prime…wearing figure hugging clothing that reflects back every lump, bump and bra-strap…loose is imagination..even slightly loose is an optical illusion in progress.
Give me a secret hint that impresses with personality and promise any day of the week.
Laters, Kate x
White Vans x
An update..
It’s been just over two weeks since our Preview Launch and life certainly hasn’t stood still. The most popular items of the Collection have so far proved to be…
The Bergman
The Bardot
The Trilby
The Harper
And Anna has been busy experimenting with various additions..A vest for the Audrey skirt so it cleverly turns into a dress..
or down-grade it to day-wear with a plain white t-shirt..
Also a softer, less formal take on the Harper…the scoop necked Harper..
Excitingly, because of the number of appointments we’ve been asked for we’ve made the decision that starting from Thursday 4 July and continuing every thursday until August we will hold a show room day for anyone who wants to see us and try the clothes on…Please contact us for further details.
For those further afield: If we know your size and basic measurements, we can make for you and ship. Our contact details are here.
Next week we’re going to spread our net a bit wider and heading off to the wilds of Oxford:
On Tuesday 2 July from 10 am – 2.00 pm at Bledington, OX7 6XA we will be taking part in a special sale along with Para-B, Juliet Faucus, Lou Searby Scarves, Little Knickerbocker, a Laurent-Perrier Champagne Bar and many more..
If you are free..we would love to see you there!
Pray for a good dose of vitamin D..
Laters, Kate xxx
The Art of The Letter x
Anna is a self-confessed font whore – in truth we initially artistically bonded over our strange designs loves like swirly handwriting and Sasha dolls. But whilst I can appreciate the impact even a simple pen stroke can have on a page, she takes the love to a whole new level. Which is how we discovered Harald…
We first saw him on ‘Kickstarter’ (If you can watch the film, it’s delicious) – Do you know Kickstarter? It’s effectively a crowdfunding platform that gives creative projects the chance of financial support without the need to give away their equity. instead, project creators offer their backers ‘rewards’ to thank them for their support..it’s seriously worth checking out..sometimes I’ll just go there to see what whacky creative concept has grabbed the collective imagination..the whole thing is an idea with wings and has breathed new life into the world of struggling creatives..and I adore the huge variety of projects it attracts….’Slime moulds, An Illustrated Guide’ anyone?
or a self-watering kitchen garden?
..they all sound completely whacko, but I can assure you, these projects are done with the upmost integrity and skill with the majority having true visionaries at their heart.
So Anna puts ‘fonts’ into the search option…and we are hooked.
Harold Geisler wanted to create a font based on the beautiful and unique handwriting of Sigmund Freud:
We became backers and in return for a small amount ($10) we will get the font on completion (imagine on the blog!) and receive regular updates on his progress. We also couldn’t resist going to his website and ordering his Conspired Lovers font as well. A pure extravagance.
But when someone is a Master of their craft..you feel it, see it, want it.
And what better thing to do than be able to support it?
YSL lives on..
Back to reality..almost..
There are certain places I have visited only in my dreams, but one day, one day Rodders, I’ll get there…Coco chanel’s apartment, the Picasso Museum in Antibes..and the Studio of Yves Saint Laurent at 5 Avenue Marceau, 75116 Paris.
For a lucky few and until the July 21, it’s possible to go on a guided tour of the studio and library courtesy of the Pierre Berge-Yves Saint Laurent Foundation. The Foundation was set up to share the forty years of accumulated memories and artefacts of this iconic creator with his intimidating reputation for excellence and meticulous sculpting of cloth.
Oh to be a speck of dust. To be still and drink it in.
But if I can’t be there in person. Sigh. There is still the internet – part of the Foundations aims is to promote cultural projects and with this in mind, they are releasing all sorts of wonder through their site which is so worth a visit. For instance, there are the production boards..
Illustrating 1283 production drawings from 81 Haute Couture collections from 1962- 2002. Each garment features a sketch, a sample of fabric from which the final garment was produced, the name of the couture workshop that produced it, the name of the model that wore it and even the order in which she walked during the Fashion Show. It is a little glittering cyber treasure trove…
It’s also possible to buy a beautifully bound four book edition of the Production Drawings. And if I had 2,100 euros handy..I would.
The latest release from the Website is the ‘Paper Dolls’ – Yves Saint Laurent made these beauties between 1948 – 1949 using from amongst other things, cuttings from his mother’s favourite magazines – Vogue, Jardin des Modes and Paris-Match. These fragile works of art are the physical embodiment of his vivid, verdant imagination and somehow make him feel very human..touchable even.
The website allows you to pick a ‘doll’ and then choose her outfit by clicking on it..how super cool!
Hours and hours of nostalgic Haute Couture pleasure…with more than a little bit of fairy dust.
Laters, Kate xxx
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Collaborations x
I know the value of two creative minds at work…finding inspiration, brainstorming initial ideas, responding and evaluating. When it works, it’s a joy. But I do worry that the success and commercial opportunities of the ‘Celebrity Collaboration’ is creating a blurred line between Fashion Styling and a good eye…and true Fashion Designing…
I never formally trained in fashion, my skill base is Classical Music, Art and Law. But like a moth to a bright light, I have always been drawn to it.
I remember as a child at Primary school running the obstacle race on a hot, humid Sports Day. I was way out in front until the final challenge: Pick up a hat and run to the finish line. Which one would suit me best? I tried them all on…
When The Husband and I lived in Italy, I would meet up with a dear friend, an ex-pat couturier, every Friday on the banks of Lago Maggiore for a ‘Creative Play Day’..deconstructing material, spray-painting it, whatever it took and then re-creating it into something desirable.
But I am not a designer.
I didn’t spend years training for a Fashion Degree or working in the industry: Learning the translation of 2d into 3d, pattern cutting, construction methods, production techniques, prototyping, fabric knowledge, development of samples, understanding cost implications, appreciating the characteristics of stretch and woven fabrics, the difference between structured and unstructured, proportion, silhouette, the principles of tailoring, of finishes, measurement taking, first sittings, alterations, understanding the social, cultural and historical context of fashion.
But I can fully appreciate that Anna did and I entirely rely on her to speak the lingo of fashion when we are working with our Atelier, something that immediately exposes my ignorance: I can learn and I am learning, but it will take me years. Like it did her.
Collaborations work when each side has something to bring to the table that creates an emotional connection. And celebrity collaborations can work in the same way, shedding new light, a different direction, a new angle, new ways of thinking, revelations and excitement.
But can a singer really design a car? A swim suit range? A Collection? For every Celebrity (or even non-celebrity) that thinks they can, there will be a hidden team of highly trained professionals taking up the slack with little to no recognition to take the concept into reality…and make it look easy.
And concepts are great – there’s nothing better than a meeting of creative minds – I can vouch for that. But give me some sugar for the highly skilled, experienced, grafter designers out there. Don’t let the celebrity ‘designer’ bleed the soul out of an intricate, multi-layered, highly-honed profession. Sometimes fashion isn’t about the surface ‘look’ – it’s the layers of integrity, knowledge and trust that go into it: There are existing stories of progress and we ignore them at our peril.
Laters, Kate x
Inside the bathroom cabinet..
A while back Anna did a post about the contents of her bathroom cabinet and for a loooong time I have been meaning to do a similar thing. I have to admit – I’m a creature of habit..when I find something that works, I rarely look any further..but it has to really work..
This is Ren’s rose body oil..confession: I use it on my face – their official face oil is in a tiny bottle and costs a small fortune – I am not convinced that the only difference between the two is in the mind. I love using oils – more than moisturisers. Ever used gloss paint? Then used white spirit to clean your hands? Don’t. Use olive oil with a bit of salt or sugar. It breaks everything down, then you just wash away the paint with soap and water. Instead of dry and red, it leaves your hands soft and smooth. I believe my rose oil does the same thing – massage it on, wipe away the excess with cotton wool – and see how much dirt comes off. I swear by it.
My favourite shower wash. The most delicious smell. Like heaven on a plate.
For if I do use a body moisturiser – keeps it’s smell all day.
But I’m just as likely to use an oil – almond oil with a bit of sandalwood (love sandalwood) – or this. Particularly good after a shower, before you’re entirely dry..you only need a tiny bit but it multiplies with drops of water..
Or if I’m feeling extravagant, this joy. Edible and extravagant.
And this is best exfoliator I have found. Elemis again. They have a undsisputable knack with knock-out smells that knock me over. I’m a sucker.
When the sun shines (when? OK, today was nice. but hey – that could be it..) I will overlay with Olay with it’s added sun screen. My wrinkles laughter lines don’t need any extra encouragement.
Sigh. The crowing glory. My most bestest, most favourite perfume in the world – as found by Anna who just knew I would love it. Thanks luv. Made by Le Labo, it can be worn by either sex and was designed to reflect the essence of an old Marlboro ad. Think of a cowboy with his horse (bear with me) in front of a fire on a great plain, under a dark blue evening sky, firelight in his face, leaning back on his worn, leather saddle..OK. You’ll just have to trust me. But there is smoke as well as Australian sandalwood, papyrus, cedar wood, cardamom, iris, violet, leather accord and ambrox…Which is either synthetically made now or comes from ambergris – a substance produced in the digestive systems of Sperm whales and either pooed or vomited out…I’m sort of hoping it’s the former…
Laters, Kate x
The True Cost of Fashion x
Working at the rock face of fashion I have realised that very few people actually know how the modern clothing business truly works, particularly in terms of cost..and therefore profit.
Researching a visual to explain things quickly I came across the website of Everlane, who produced the following pictures..
The aim behind the pictures was to illustrate how consumers are ‘ripped off’ along the chain of events that leads to a designer purchase. But is it entirely accurate?
From make to wholesaler = 224% margin
From Wholesaler to retailer = 333% margin.
Which are big margins – but the diagram doesn’t explain them – the margins do represent a percentage of the profit but it’s only a percentage not the full whack. The margins are also required to cover other costs:
Further shipping, more transport, import duties, administration, design time, development, currency exchange, banking fees, marketing, loss leaders, pattern cutters, equipment, fittings, pattern changes, warehousing and storage, rent, utilities, IT costs, even labels, zips, threads and buttons..and probably much more.
At the second tier, for the retailer there could be a brick and mortar shop to pay for, employees and all the associated costs, advertisng, their own loss leaders etc etc…
The pictures do prove that nothing in fashion is simple.
It is possible to cut these costs. If you’re mass market and contract out to a third world country I’ve heard you can get a t-shirt made for 2p. In fact clothes have never been cheaper and are now fully accessible to all. Which has to be a good thing..But at what cost? 1,100 people died in the Bangladeshi factory disaster…is it ethical? Is it exploitation? Where does the line get drawn?
There are other alternatives abroad – better factories, better conditions where many of the ‘luxury’ fashion labels get their product made. And yes, with their financial clout and established infra-structure maybe they can make those sort of profits..but even then think how much money goes into marketing to support their brands? And think about the problems that can go wrong – the delays, the accidents, the unexpected that all has to be factored in. And all the time all that money being spent on manufacture is money draining out of the UK economy.
So where does this leave a British based start-up fashion label like us?
We can’t buy our materials in bulk so there is no reduction in cost for us there.
We can’t make our stock in bulk so there is no reduction here either.
Our ‘factory’ is an ‘atelier’ – a room of skilled – masterful – sewers based in London who make everything by hand. Not at a cost not per garment, but per hour. Look at a sewing machine, look at an expensive piece of silk and look at the finished product – the tiny stitches, the French seams. It’s not a fast job. Each hour is £25.00 plus VAT. But that is the cost of a craftsperson at the top of their profession..
We have no choice, we have to start at the designer end, the hard end – so why bother?
We still believe that there is an element of magic in fashion. We believe we can make a profit by cutting out the wholesaler and selling direct – only time will tell. And we believe that at some point consumers acknowledge they are buying more than the tangible item itself..we believe that value can take on a new meaning, that design can be desirable, treasured and trusted…our atelier is so good they do work for Victoria Beckham. We have drive, we have passion and we have a designer in Anna who has an acknowledged pedigree having worked with the greats such as Karl Lagerfeld and Valentino..she knows this industry and she was born to design.
The truth is that the Everlane illustration was too simplistic – the bottom-line is that in the retail world not all products are created equally. And some are definitely created with more love and care than others. Only sales will confirm whether that is worth the price.
Laters, Kate x

















































