Category: Art
It’s Pardy time! (With an update x)
Our big day was Tuesday 11 June when we finally Previewed our First Collection…more on that a bit later – but we’ve been thinking..what better way to celebrate than having a Blog party?!
Lord only knows if it will work!
The plan is that all who want to join leave their Blog addresses in the comments below..then all day on Sunday 16 June (Got to have a bit of advanced warning to get the nibbles in..) We visit each other’s Blogs on the list and share the creative spirit..
Up for it? Or is it utterly bonkers?!
P.S. Little update: The Preview was a BRILLIANT night! Fantastic turn out..very buzzy…and most importantly..SALES!! We are delighted (understatement) !!..I will write more as part of our ‘Welcome to the party’ post on Sunday – but I just want to leave this main post here till then as a point of contact for as many potential party goers as possible..we are so thrilled by the response to this idea! I will post a list of all razzle dazzlers on Saturday evening UK time – whoo hooo! – and update the list on Sunday if nec..we really can’t wait!…
xxx
Every little bit counts..
Collaborations x
I know the value of two creative minds at work…finding inspiration, brainstorming initial ideas, responding and evaluating. When it works, it’s a joy. But I do worry that the success and commercial opportunities of the ‘Celebrity Collaboration’ is creating a blurred line between Fashion Styling and a good eye…and true Fashion Designing…
I never formally trained in fashion, my skill base is Classical Music, Art and Law. But like a moth to a bright light, I have always been drawn to it.
I remember as a child at Primary school running the obstacle race on a hot, humid Sports Day. I was way out in front until the final challenge: Pick up a hat and run to the finish line. Which one would suit me best? I tried them all on…
When The Husband and I lived in Italy, I would meet up with a dear friend, an ex-pat couturier, every Friday on the banks of Lago Maggiore for a ‘Creative Play Day’..deconstructing material, spray-painting it, whatever it took and then re-creating it into something desirable.
But I am not a designer.
I didn’t spend years training for a Fashion Degree or working in the industry: Learning the translation of 2d into 3d, pattern cutting, construction methods, production techniques, prototyping, fabric knowledge, development of samples, understanding cost implications, appreciating the characteristics of stretch and woven fabrics, the difference between structured and unstructured, proportion, silhouette, the principles of tailoring, of finishes, measurement taking, first sittings, alterations, understanding the social, cultural and historical context of fashion.
But I can fully appreciate that Anna did and I entirely rely on her to speak the lingo of fashion when we are working with our Atelier, something that immediately exposes my ignorance: I can learn and I am learning, but it will take me years. Like it did her.
Collaborations work when each side has something to bring to the table that creates an emotional connection. And celebrity collaborations can work in the same way, shedding new light, a different direction, a new angle, new ways of thinking, revelations and excitement.
But can a singer really design a car? A swim suit range? A Collection? For every Celebrity (or even non-celebrity) that thinks they can, there will be a hidden team of highly trained professionals taking up the slack with little to no recognition to take the concept into reality…and make it look easy.
And concepts are great – there’s nothing better than a meeting of creative minds – I can vouch for that. But give me some sugar for the highly skilled, experienced, grafter designers out there. Don’t let the celebrity ‘designer’ bleed the soul out of an intricate, multi-layered, highly-honed profession. Sometimes fashion isn’t about the surface ‘look’ – it’s the layers of integrity, knowledge and trust that go into it: There are existing stories of progress and we ignore them at our peril.
Laters, Kate x
Influences..
Formidable artist through every layer of his being, true renaissance man and style icon, this post is dedicated to the delight that is David Bowie.
(Photo: Getty Images)
Hankering for a loose, louche nineties suit.
The length on that jacket. Divine.
(Everett Collection/Rex Feature)
Ahead of his time: Nothing new about a silk floral bomber.
(photo: Michael Ochs Archives)
Katherine Hepburn would’ve been proud. A delicious pair of trousers
– coutured simplicity.
(Photo: Ron Gelella/Wire Image)
New take on the bow tie, a long time before Jemma Lyons.
(Photo: Terry O’Neill/ Hulton Archives/Getty Images)
Hot colour.
(Photo: Antonia Billie/Getty Images)
Cool suits.


(Photo Studio Cane/Rex Features)
Ultimate accessories.
Prepared to push the style boundaries.
He just is a remarkable creation.
Laters, Kate x
The True Cost of Fashion x
Working at the rock face of fashion I have realised that very few people actually know how the modern clothing business truly works, particularly in terms of cost..and therefore profit.
Researching a visual to explain things quickly I came across the website of Everlane, who produced the following pictures..
The aim behind the pictures was to illustrate how consumers are ‘ripped off’ along the chain of events that leads to a designer purchase. But is it entirely accurate?
From make to wholesaler = 224% margin
From Wholesaler to retailer = 333% margin.
Which are big margins – but the diagram doesn’t explain them – the margins do represent a percentage of the profit but it’s only a percentage not the full whack. The margins are also required to cover other costs:
Further shipping, more transport, import duties, administration, design time, development, currency exchange, banking fees, marketing, loss leaders, pattern cutters, equipment, fittings, pattern changes, warehousing and storage, rent, utilities, IT costs, even labels, zips, threads and buttons..and probably much more.
At the second tier, for the retailer there could be a brick and mortar shop to pay for, employees and all the associated costs, advertisng, their own loss leaders etc etc…
The pictures do prove that nothing in fashion is simple.
It is possible to cut these costs. If you’re mass market and contract out to a third world country I’ve heard you can get a t-shirt made for 2p. In fact clothes have never been cheaper and are now fully accessible to all. Which has to be a good thing..But at what cost? 1,100 people died in the Bangladeshi factory disaster…is it ethical? Is it exploitation? Where does the line get drawn?
There are other alternatives abroad – better factories, better conditions where many of the ‘luxury’ fashion labels get their product made. And yes, with their financial clout and established infra-structure maybe they can make those sort of profits..but even then think how much money goes into marketing to support their brands? And think about the problems that can go wrong – the delays, the accidents, the unexpected that all has to be factored in. And all the time all that money being spent on manufacture is money draining out of the UK economy.
So where does this leave a British based start-up fashion label like us?
We can’t buy our materials in bulk so there is no reduction in cost for us there.
We can’t make our stock in bulk so there is no reduction here either.
Our ‘factory’ is an ‘atelier’ – a room of skilled – masterful – sewers based in London who make everything by hand. Not at a cost not per garment, but per hour. Look at a sewing machine, look at an expensive piece of silk and look at the finished product – the tiny stitches, the French seams. It’s not a fast job. Each hour is £25.00 plus VAT. But that is the cost of a craftsperson at the top of their profession..
We have no choice, we have to start at the designer end, the hard end – so why bother?
We still believe that there is an element of magic in fashion. We believe we can make a profit by cutting out the wholesaler and selling direct – only time will tell. And we believe that at some point consumers acknowledge they are buying more than the tangible item itself..we believe that value can take on a new meaning, that design can be desirable, treasured and trusted…our atelier is so good they do work for Victoria Beckham. We have drive, we have passion and we have a designer in Anna who has an acknowledged pedigree having worked with the greats such as Karl Lagerfeld and Valentino..she knows this industry and she was born to design.
The truth is that the Everlane illustration was too simplistic – the bottom-line is that in the retail world not all products are created equally. And some are definitely created with more love and care than others. Only sales will confirm whether that is worth the price.
Laters, Kate x
What do you see?
I’ve been reading a great deal lately on the pros and cons of the Dove Real Beauty ad campaign..Does it represent a significant change in advertising by re-defining the unrealistic ideals regarding the way women should look?..Or is it a cynical reinforcement of the same old message that beauty is the most important asset for a women to have?
Personally, I can’t help but feel it’s an attempt at blue sky thinking by driven, claustrophobic, muttering male advertising execs who see it as an opportunity to make money by taking a ‘supporting’ stand.
Particularly when you compare the sugar coated rhetoric of the Dove ads, to the genius take it or leave it campaign for Karen Walker’s sunglasses based on the inspirational ladies from Ari Seth’s Advanced Style Blog.
Ilona Royce Smithkin, Artist, aged 92 wearing Northern Lights.
Wearing Galaxy.
Wearing Atomic.
Joyce Carpati, Singer, aged 80, wearing Northern Lights.
Wearing Eclipse.
Linda Rodin, Fashion Stylist, Founder and Owner of own beauty line RODIN Olia Iusso, aged 65, wearing Atomic.
Lynn Delll, Boutique Owner, aged 80, wearing Space Bug.
Wearing Deep Freeze.
I wish we could see more advertising like this with no pretence, no underlying message other than rich visual flair, charisma and exuberance – this subject shouldn’t really be a blog post, just like the Dove ad shouldn’t really be a Blog post.. but until advertisers stop religiously peddling youth as the only currency that sells, with beauty as it’s alter-ego then campaigns such as Karen Walker’s will just be brilliant flashes in the pan.
Until then, all I know is I want a little bit of what they’re having for no other reason than I think they are awesomely super cool…I think I have a crush..
Laters, Kate x
The Creme de la Creme..
I often wonder if winning the lottery would actually make my life better. It’s a moot point. However I do know it would make my walls so much more fantastic. I apologies for the next pictures..they are pure avarice and excitement and are (cough) ridiculously expensive (a pot of paint and a bit elbow grease won’t rock it with these babies) but they are sublime, aspirational and quite frankly give me giddy butterflies.
These hand painted chinoiserie wallpapers are from the company de Gournay. And looking at them you feel it is the timeless work of centuries of work from old master crafts men passing their craft down from generation to generation. In fact the Company was founded in 1986 by Claud Cecil Gurney. After searching for artisans to restore the antique wallpaper in his own home he discovered the traditional art was on the verge of disappearing. He made it his mission to resurrect it. And I for one am so thankful that he did.
To give you an idea..the paper is so expensive you can have it steamed off if you move… and re-used in your next millionaire mansion!
Laters, Kate x
Thing of Beauty 3
Looking at a beautiful floor lets me breathe..it’s like visual porn for the mind’s eye. The best are not glossy, gossip columns but tell a story, wearing their battle scars with pride and an undeniable polishing of age. My ultimate joys are marbled mosaic floors as found in St Pauls Cathedral, the Victorian tessellated floors like those found here in the UK and possibly my favourites: Encaustic cement floor tiles from places such as Cuba, France and Italy..the artisanal flair, patterns and colours are literally chocolate for my soul. I can understand if people find them ‘too seventies’ or too dominant…..but come into my world…see if I can change your mind..
And a true font of knowledge and know-how is an amazing website called Villa Lagoon Tiles based in the States where all the pictures on this post came from. They collect pictures and information and best of all, make these tiles. Go loose yourself in their website..the options and designs are both endless and fascinating..I was lucky enough to order tiles from them for our bathrooms..but I still head back whenever I need a creative fix to see what new ideas they have come up with.They can copy old tiles or you can choose from their classics range..the following are from their Cuban heritage section. I literally die.
I’m feeling the need for renovation coming on..
Laters, Kate x
African heat..
Like a moth attracted to a sweet spot I’ve been drawn towards the beauty of African print. It has that magic touch of satisfaction where something unusual feels like it should’ve always been in my life. I love the electric powerplays of colour… the fluid graphics..the exuberant clashes..it’s a buzz that gathers and turns a piece of material into a stage..
Anna is doing her best to distract me..she says Burberry ‘did it’ last summer..and she’s not wrong…
(Burberry Porsum summer 2012, photos courtesy of style.com)
But I think it’s time for the love affair to diffuse down the food-chain…I want to see more on the streets generally..there are legs on this baby… These photos were taken by MG Onania for Fashizblack Magazine..
Rich, magical and aspirational.
These are of Yassive Rahal by Julien Cozzoline for Fashizblack Magazine:
And these are from a wonderful blog: style-caralho.blogspot.co.uk. ( I don’t know the indivdiual photographers name – but if anyone does, I’m very happy to attribute)
For more inspiration check out this post on Kimberly akinola’s great blog.
personally I think we all need a fresh blast of African air.
Laters, Kate x
Bling ring..blinking good
As a self confessed free wheeling fashion conscious omnivore with a ravenous appetite for design I ate up this delicious teal ring as worn by Mila Kunis in the April edition of Marie Claire.
Mila’s not bad either…
Sigh. I took on the exquisite pain of trying to find out who designed it…but so far no banana. The best I could come up with were these from Dior..

And these from Chanel – don’t you just want to stroke them? lick them?!
And the last three are vintage 70s rings..
I’m not too hot on trophy purchases – but give me one of these and I would purrrrrrr!
Laters, Kate x



































