Category: Art
Creative Coffee x
Despite the official Creative Coffee classes finishing, the joy it created has continued – I’m now (for my sins) a class rep for Charlie’s class with my awesome rep partner, Jenny. Last Friday was our first coffee morning of the year. So we thought, why not add more ingredients to the coffee beans and milk? Borrowing extra equipment from my lovely art teacher, Amanda we set up simple lino cut card station using just pencils and foam plates (the rollers make all the difference for a professional finish).

Yay!
We had another station to make nail varnish marbled luggage labels.
Fun, different and brain calming but the brucie bonus? We raised £160 for Macmillan in donations!
Laters, Kate x
Wednesday..
Saturday..
Oh! How this made me chuckle. I think The Husband was laughing with me…but I’m not entirely sure they were tears of mirth: The Employment by Opusbou, as seen at Dismaland.
We’ve come back to our very own grotland..the builders have moved in…
There’s nothing left but to embrace the chaos…Mwha-ha-ha…
Laters, Kate x
Dismaland
Dismaland: The temporary art project set up by the street artist Banksy in an abandoned lido in the quietly rotting seaside town of Weston Super Mare. Banksy writes in his opening welcome: ‘Bertolt Brecht once said ‘Art is not a mirror held up to reality but a hammer with which to shape it’. Which is fine, but what if you’re in a hall of mirrors and the giant hammer is made of foam? This is the question raised by Dismaland Bemusement Park’.
And so it begins…
Birthed from the detritus of Disney, with bored attendants, patches of weeds and artistic despair, this decaying edifice to humanity is set on a 2.5 acre site with works from more than 50 artists from 17 different countries. It’s an instagramer’s delight, a visual sensation and a walk on the whacky, dark, black side.
A play on double standards starts immediately, from the genuine bag search on the street (anarchy has it’s place, no spray cans allowed here) to the fabricated threat of Bill Barminksi’s cardboard screening room. What’s real and what isn’t?
Inside it’s hard to know where to look first..the children slide riot van?
The sadistic carousel? Tesco would be so pleased..
Or the Big Rig jig, defying explanation or gravity.
There are traditional stalls – each with their own unique twist.
Knock the anvil over – with a ping pong ball and yay! you win the anvil! Hit the anvil and you win a red bracelet that reads ‘this is a meaningless bracelet’. Didn’t stop me wanting one. And then you ask yourself why even attempt the futile? Except we did. And failed.
Or maybe hooking a duck from the muck has a greater chance of success – except the punters have run off with all the ducks – and it’s all for a paper fishfinger in a bag..
Dominating the park is the dilapidated fairytale castle of broken dreams. ‘Step inside’, say the downcast attendants, ‘See how it really feels to be a princess’..
Through the darkness is the car-crash of Cinderella’s coach, her dying body illuminated by the flashes of pap’s cameras. We’re looking at them, looking at us..feeding us, feeding them..
Sometimes it’s the smaller, allegedly quieter stuff that catches the eye..
Sometimes the message is so strong to the extent you feel sleazy and ambushed with dirty fluids. This isn’t a place that brands itself on palatable.
The art wants you to look, not just spectate. to take part and not just consume..which is a line that is all too easily crossed. How many people are there walking around with the balloons stating ‘I am an imbecile’? Or actually taking selfies in the selfie hole?
Did these people really understand what they were doing? Did they nod sagely knowing they were doing this ironically? But then their ignorance becomes part of the point.
This isn’t a place for children despite there being works designed with them in mind..like the depressed, drunk Mr Rainbow puffing fumes over his tired playground..
Or The Husband’s favourite: Pocket Money Loans
Where the devil was in the detail.
Take a seat in a stripey deckchair and watch Punch and Judy landing a punch with a Jimmy Savile themed show..
Put up your feet at the Jeffrey Archer memorial pit fire. He’s still alive but a book of his dies every day.
Come into one of three galleries to wander round at your leisure. Meet the baby in the vending machine, covered in logos by Dietrich Wegner, guaranteed to make you ponder life.
Meet Jessica Harrison’s distortion of suburban tranquility.
Wonder if Severija Incirauskaite-Kriauneviciene is her real name or is just another trick of the mind. The art – tapestries made with power tools, certainly had a kick.
Banksy has pulled it off: It’s hard to be underground when you’re hailed as a national treasure by the very people you want to vilify, but that’s part of the conundrum that makes Banksy’s Dismaland so very special – it’s a spoof on the British holiday by the sea – take it seriously and you miss the point, and yet it quietly smiles through blackened teeth and grittily mocks: don’t understand this at your peril…
Impeccably crafted and precision cut, deeply unsettling yet strangely entertaining it’s so good, it can’t be legal..and probably isn’t.
Laters, Kate x
Today…
Lord of the Flies..
On Friday I went to see the Brilliance that is Lord of the Flies at Regent’s Park Open Air Theatre. The story starts when the child survivors of a plane crash find themselves alone on a desert island. They have to come to terms with the enormity of what’s happened, enhanced by the genius stage settings of Director Timothy Sheader and Designer John Bausor. I mean..how awesome to walk into this? There’s a fleeting glimpse of friendship and paradise, before everything descends with gathering speed into a swirling, smoke-filled, fire-glowing hell hole of hate, malevolence and ominous spite.
You watch transfixed as the morals we and society hold dear obligingly fall apart as a 12 year old choir boy rises to the ranks of a Caligula: a crazed power addict manipulating and terrorising all around him, his primal drive to gratify his own desires and enforce his will and fuel his lustful sense of power.
(Pics from Regents Park Open Air website)
It’s a primal scream unleashed and puts a magnifying glass on the beast under the bed we all want to ignore. Fast, furious with flame throwing high energy, it’s some of the best acting by young actors I’ve seen in a long, long time.
Utterly shocking but totally compelling..there’s a UK tour..go see it if you can. Be prepared to feel pared all the way to the bone.
Laters, Kate x
Jason deCaires Taylor..
A true global and renaissance man, Jason deCaires Taylor was born in 1974 to an English father and Guyanese mother. He then grew up with one foot in Europe, the other in Asia with regular diving trips in Malaysia. In 1998 he graduated from the London Institute of Arts with a BA honours in Sculpture….before becoming a fully qualified diving instructor, underwater naturalist (Note to friends: That’s not a naked diver) and award winning photographer.
Then in 2006, off the West Coast of Grenada, he created his first underwater sculpture park and a life blood of creativity was unleashed.
His work explores the slipstream where Art and Nature collide, the grey area between man’s exploitation of nature for industrial means and the acknowledgement of the fundamental power of the earth: As time begins to colonize the forms it creates it’s own architecture, dramatic pulse and language.
This pulls on something deep within – the mystery of Atlantis, Pompeii, fairytales..even gothic Victoriana. They’re a dark presence, yet awe-inspiring at the same time.
Under the water is a world Jason knows, and through his art he aims to highlight the living beauty of the under world to encourage environmental awareness and instigate social change.
For anyone who’s heart sank at the news this week that 90% of sea birds have plastic in their stomachs, he’s a crusader you want to stand up and applaud.
His work isn’t limited to the turquoise depths of Cancun and the Bahamas..this mystical beauty can be found in Canterbury…
And now, from Sept 1 – 30, on the Thames foreshore at Vauxhall, London, adjacent to Camelford House and 87-90 Albert Embankment, is a new example of his work: The Rising Tide, commissioned by Totally Thames.
It highlights the role the river has played in the shaping of London’s history. And how easy it’s been for us to abuse it.
(All pictures from here and Jason deCaires Taylor’s Facebook page)
These could be horses, but they’re oil pumps..animals of industry, draining the land.
A theme as strong and compelling as any story ever told.
Laters, Kate x
Subversive Snigerings..
Far, far away from London, inside the walls of a derelict seaside swimming resort in Weston-Super-Mare, Banksy has waved his magic, irreverent wand, and with the help of various artistic friends, transformed the once decaying ruin into a decaying, satirical parody of twentieth first century subculture. Welcome to Dismaland…
The enticing brochure reads:
Are you looking for an alternative to the soulless sugar-coated banality of the average family day out? Or just somewhere cheaper. Then this is the place for you—a chaotic new world where you can escape from mindless escapism. Instead of a burger stall, we have a museum. In place of a gift shop we have a library, well, we have a gift shop as well.
Bring the whole family to come and enjoy the latest addition to our chronic leisure surplus—a bemusement park. A theme park who’s big theme is: theme parks should have bigger themes…
This event contains adult themes, distressing imagery, extended use of strobe lighting, smoke effects and swearing. The following items are strictly prohibited: knives, spraycans, illegal drugs, and lawyers from the Walt Disney corporation.
Witty, provocative, erudite, it’s Willy Wonka on speed…and how I would love to go..no doubt to see a Hall of Mirrors without the distortions because we’re all being made to laugh at ourselves. Except buying a ticket is apparently a lesson in frustration…..one can’t help smirking at the irony…and wondering if it’s all part of the explosive satire…
Laters, Kate x
Patia Davis x
There’s a cultural disease that’s particularly prevalent in cities..we zone into something good and look to exploit it commercially, turning into something far removed from it’s roots, cheapened with an air of pretentiousness. Take the rapidly breeding multitude of coffee shops springing up like weeds, churning out reproduction vintage – what once was a necessity – bought from jumble sales because the owners couldn’t afford anything else, is now a ‘look’ for which a premium can be charged. It just doesn’t smell right.
Patia Davis, potter extraordinaire and her colleagues at Wobage Farm Craft Workshop, Ross on Wye are the polar opposite, their knowledge and understanding comes from the timeless depth of landscape which is then, like rare treasure, translated into Art; Deep, craggy, dreamy, sensuous, glorious and gutsy, the perfect marriage of beauty and practicality.
Going through the seismic shift of clearing out anything superfluous in the house (the children where lucky to survive..) I only want things that I can use and love. How I would love to own one of Patia Davis’ bowls..particularly her slipware..there’s a richness of colour, a deftness. The trails, featherings and brushmarks sing of skill yet freedom.
Wobage also offers workshops and courses with a recommended range of accommodation: Come learn to pot whilst staying in an authentic Mongolian Yurt? I think that could be my idea of heaven.
Laters, Kate x
Bling and Bottle tops x
There’s just over two weeks left of the summer hols and surprisingly this is our first full weekday at home just to be and make. I’ve been itching for it – doing crafts in the garden with the kids is the summer dress I look forward to all winter. This year the bar has been raised (with the Husband’s help) by transforming the shed into a mini-studio with a lean-to on the side for all the real sheddy bits (priorities, priorities..) It’s been lovingly painted, bunting hung, baskets gathered and projects planned..
Not that crafting with kids is straightforward…the main ingredient of creativity is not spontaneity but planning..having the right ingredients to hand to let things flow, which then includes ignoring the adult need for perfection – it’s when everything’s been mixed together – the splashes, the bits over the line, the gusto and exuberance that the magic really happens.
Today the sun is shining and we’re finally turning our felt pictures into cushions avec pom-poms, (then we might tackle some of the projects above) (all from Pinterest)..but before anything happens, I need to write this post..so I’ve set Bella and Charlie up with some painting in the shed. How cool?
It lasted all of five minutes before they came running out shouting ‘Spider, spider!’
I can see it’s going to be a longgggggggg summer.
Laters, Kate x































































































